Critical reconstruction of J. S. Bach's lost D-minor violin concerto (BWV 1052R), available from PRB Productions. J.S. Bach's D-minor harpsichord concerto, BWV 1052, was the composer's latest arrangement of material also found in BWV 1052a and Cantatas 146 and 188. The solo instrument's range and figuration in these sources persuasively indicate they were adapted from a violin concerto that no longer survives. This edition reconstructs the lost concerto, correcting errors of previous reconstructions and presenting some new readings of source material.
Critical completion of J. S. Bach's incompletely surviving D-major sinfonia, BWV 1045, available from PRB Productions. This Sinfonia is his most lavishly scored work featuring a solo violin. Though it survives only as a fragment, clues from the surviving portion indicate the probable form of its intended conclusion. Moreover, penmanship clues in the autograph suggest the Sinfonia may likely be an adaptation of a work for strings only, for which this edition makes allowance in the form of ossias corresponding to the putative earlier material.
Sei Solo: Symbolum? The Theology of J. S. Bach's Solo Violin Works (Eugene, OR: Pickwick, 2016).
More information can be found here.
Read David Stancliffe's review in Britain's Early Music Review here.
** Please note: The following compositions are under copyright but are available for public use (including performance) free of charge. I would, however, ask to be notified of any use of these materials other than for private reference. More works may be made available in the future.